Weekly musings on the arts and current events.

Showing posts with label Sargent. Show all posts
Showing posts with label Sargent. Show all posts

Saturday, September 17, 2011

Late Summer

There's something defeatist in the prompt drydocking of the speedboats on my mountain lake. Labor Day has passed, but we have one final weekend of summer, and besides, it won't get cold for many more weeks, barring a precipitous snowfall. Can't we pretend it's summer for just a bit longer?

But the fireplaces are already ablaze, and while the mornings may not bite the earlobes just yet, there is a new insistence to the breeze that it be respected with a sweater. For the first time in many months, I am craving a bowl of soup.

Never mind. Everyone says they like autumn best, if for no other reason than because it's the time when they can layer their apparel with soft fabrics and earthy colors.

John Singer Sargent painted his friends Paul and Alice Helleu while visiting an artists' colony in the Cotswolds, a range of hills in England. I like this scene very much, with the top of Paul's straw hat as a surrogate for the sun--see how the light seems to radiate from it in the grass above--even though her straw bonnet is actually a bit brighter. Alice's evident boredom with her husband's absorption in his work, on what surely should have been an afternoon of fishing and recreation, gives a comic cast to a very intricate composition.

I can't help imagining the full scene, with Sargent positioned at our vantage, working on this painting. What must the sounds have been like, the birds, breeze and water mixed with the scrape of the brushes against the two canvases, and perhaps Alice humming softly to herself?


An Out-of-Doors Study by John Singer Sargent, 1889. Click on the picture for a closer look.

Saturday, April 16, 2011

Bully Pulpit

This month, an NBC/Wall Street Journal survey found that while sixty one per cent of us say we want a balanced budget amendment to the Constitution, most of us change our minds once we're told of the personal sacrifices that it would entail. It drops to just twenty seven per cent who still wish to pay the piper.

Ever since Lyndon Johnson's "guns and butter " politics, our leaders have competed to shield us from reality. Nixon cancelled the draft so now only professional soldiers are sent to war--over and over again--while the rest of us are at liberty to pretend the nation is at peace. Congress has repeatedly voted to lower taxes and raise the debt ceiling rather than reconcile our revenues with our expenditures. And leaders who should know better countenance Sophistry in assessing the toll we are exacting upon our environment.

This week President Obama addressed the American budget deficit. I can not fault him for his partisan approach--he was fighting fire with fire. But he needs to mount the bully pulpit and educate the public. I hope that a detailed proposal along with a series of dutch uncle speeches will follow. Obama's tendency to entrust Congressional horse trading will simply not suffice.

"Bully Pulpit", by the way, is a term coined by Theodore Roosevelt. It is well to remember that Roosevelt, a Republican when he was president, was firmly committed to free enterprise. However, he was a trust-buster and the author of the "Square Deal", (precursor of FDR's "New Deal"), which sought to protect workers and to regulate capitalism's excesses.

Official Portrait of President Theodore Roosevelt by John Singer Sargent; 1903. This painting hangs in the White House. The story goes that Sargent and Roosevelt, as they traipsed from room to room looking for the right place and pose, became impatient with each other. While climbing the stairs, the subject gripped the newel post and turned on the painter to express his pique, and Sargent had his pose. Click on the picture for a closer look.