Weekly musings on the arts and current events.

Showing posts with label Chagall. Show all posts
Showing posts with label Chagall. Show all posts

Saturday, August 13, 2011

Angry, Abandoned, Radicalized Middle

If I were a political creature, I'd be tempted to start a new movement, or perhaps a party, and call it AARM: Angry, Abandoned, Radicalized Middle.

This week saw two strong rebukes to our political system, first by the historic downgrading of American debt, and next by a resounding market slump. Both have been attributed to the recent debt deal in Congress that came up short of its goals and settled nothing. Not a cent has been cut from the budget; we have merely a promise to reduce spending while the country borrows enough to tide us over until after the next election.

A committee of twelve has been named, evenly divided between the parties and the Houses of Congress, to negotiate just 1.2 trillion dollars (down from 4 trillion) in budget cuts. The party leaders named the members and it appears that on the hill, it's business as usual. There are no mavericks in the bunch.

Meanwhile we centrists, who we're told comprise a majority of the voters, are unrepresented.

The polarizing issues are taxes vs. entitlements. The Republicans oppose any tax increases, or "revenue enhancements" in the parlance of the euphemizers, whatsoever. The Democrats are defending Social Security and Medicare, plus a host of social programs, against all cuts.

The A.A.R.M. sees clearly that both sides are wrong.

Taxes were foolishly lowered under the Bush administration and should be put back where they were. Entitlements have been overpromised through the years; modest adjustments in them today may prevent drastic cuts, or even elimination, later on.

But there is no time to waste. And so far as this writer can see, that's all Washington is doing or wants to do: kill time until the next election when each side hopes to effect a sweep so that it won't have to compromise. In other words, the once coveted middle ground has been abandoned and neither party wants to answer to the nation's centrist majority.

Are you feeling as angry, abandoned, and radicalized as I am?

Solitude by Marc Chagall, 1933. The worried rabbi represents the Jewish people, outcast from the darkened city at the onset of the holocaust. The Torah scroll, the small and innocent looking cow, and the violin that's been set aside, recall the shtetl life that is no more. An angel flies unnoticed through ominous skies. Solitude decries the people's abandonment and isolation. Click on the picture for a closer look.





Thursday, September 16, 2010

Yom Kippur


The Day of Atonement
A poem without a stopping point by this blogger.

Is it the day that atones,
Or those who observe it?

The day.

Is fasting a penance,
(just two lousy meals; might be good for you),
Or a reminder of how easy we have it?


How easy.

Should we feel guilty when it's over,
Or absolved?

Guilty.

Do we need to spend this day in a stale synagogue,
Droning prayers.
Or can we atone by ourselves?

Good question.

Can we honor God
and deal treacherously with our fellow man and woman?

Answers itself.

In most religions, God rewards an ethical life with redemption. In Judaism the reward for a good deed, a mitzvah, is the mitzvah itself. It sort of works. I still k'vell (feel good) about every decent thing I've ever done, just as I suffer for all my bullshit.

Can God sit it out while I strive with my conscience?

He usually does.



White Crucifixion by Marc Chagall, 1938. He painted this in France, Vichy to be exact, before he knew the danger he was in from the Nazis. By surrounding a crucified Jesus, clad in a prayer shawl loin cloth, with images of Jewish persecution, his intention seems to have been to find the universality of hope and redemption that arises from suffering.

Do such sentiments inspire you, or make you feel very old?



Click on the picture for a closer look.